So it does not matter in the least that he will do a photo op every Sunday coming out of church, while telling us all along he has no intention of promoting any teachings which any true church would uphold. And he is quite happy to do whatever it takes to win office and keep it. He very much appears to be a man utterly obsessed with himself, with power, and with winning. He has shown himself to be very much a leader, while Rudd simply goes where the wind blows, changing his tune to simply get some votes. So concentrating too much on the two party leaders is going to give us a very distorted picture here.Īnd even if we do give the two leaders our main attention, things can be summed up pretty quickly: Abbott is of course not ideal in every respect, but he far outshines Rudd. But in reality it is about him and Labor versus another party, another leader, and another political ideology. So he has made this election focus very much about himself – and his own ego. Yet Rudd knows that the Labor brand is so utterly tarnished and trashed that he is deliberately avoiding even talking about Labor, and is simply talking about himself instead – incessantly. But we are actually voting in or out a major political party. Regrettably we have allowed Rudd and his populist campaign style to mislead us into thinking we are voting in a US-style election for a president. But I have already spoken about the broader ideological battle elsewhere: It is really about one ideology versus another. That is because the real issue for voters on September 7 is not one man versus another man, but one political party versus another political party. So, follow along with me and we’ll have a look at revisions.My headline here is of course far from accurate. Now, usually you will want to do this because from now on you will be working with those “revised pages” we were talking about earlier.īut we haven’t looked at how revisions work yet. So, now we’ve assigned numbers to scenes, next thing we need to do is lock the page count, so the page each scene appears on won’t change if we make changes.įor this, go to “Production – Lock Pages”.įinal Draft 12 now asks you want to activate Revision Mode. In the options tab you can check or uncheck whether you want the number to appear on the left, the right, or on both sides of the page.Īnd, in case you want to use a different font you can do so. If you’ve numbered any scenes before and you want to keep their numbers intact, check this box here, “Keep existing numbers”. If this box is not checked, numbering will start at the beginning of your script with your first scene. You can start numbering from the current scene if you want. Then choose, with which number you want to start, usually this will be “1”. You have two choices of numbering available here, please check with your production department which of the two they want to use. To assign numbers to your scenes, go to “Production – Scene Numbers”.Ĭhoose the element you want to add numbering to, in this case that’s “Scenes”. So, let’s see how the numbering of scenes and pages works inside of Final Draft 12. So, during the pre-production and production process, there will be scenes and pages changes all the time and until production is wrapped up your script will most likely be a collection of pages from different revised versions. If a scene or a page is added, this scene or page gets a number, usually appended or preceded by a letter, because the following page or scene number is already taken. We’ll have a look at revisions in another lesson, for now you only need to know that this is how they’re called. So, when certain scene are changed afterward the corresponding pages are called “revisions” or “revised pages”. Once a script goes into pre-production, the page and scene numbers are locked and are not changed. So, how does this work when changes are made to the script, after scene and page numbers have been locked for production? Otherwise it would be impossible to make sure that everyone is literally on the same page when planning and carrying out certain tasks like prepping sets, costumes, visual effects and other stuff. This is because everyone in the production department and in other departments has to rely on this information. This is a very important part of the pre-production and production phase of your project because after a certain point page and scene numbers cannot change anymore. In this article we’ll have a look at scene and page numbers. (Note: Screenshots are from version 11 but it works the same way in Final Draft 12.)
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